The first appearance of the White Clown has its origin in the commedia dell'arte in the 16th century and he appears as the character Pierrot. Pierrot carries with him a sense of sadness and naivety, and disappointment in love. In the 19th century, Jean-Louis Barrault, a French mime gradually metamorphosed Pierrot into a softened and sentimental personality although he still portrayed him as a traditional clown in love. Pierrot was previously dressed in baggy clothes with comically long sleeves, a large collar, and a wide-brimmed hat. The idea of Pierrot as a white and emotional clown is an inspiration to many artists, including Damir Miloš. Working on the play „The white clown” was an extremely emotional, instructive and special process precisely because it was my first achievement in a professional theater as a young puppeteer director. Like the White Clown, I was looking for my colors in the process, as well as getting to know the colors of my colleagues and associates. We used everyone's differences in the most beautiful way, giving a special nuance in this play. „The greatest moments of theatrical activity occur when none of the constituent elements of the drama, actors, directors, stage effects, buildings, compete for primacy, or when they have forced each other into balance.” Exactly as Ronald Harwood says, we tried to find that balance, that balance and paint the show with our colors and our differences.