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master's thesis
Rad na predstavi Bijeli klaun
"Bijeli klaun"
2022. urn:nbn:hr:251:003323
Knez, Tončica
Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

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Knez, T. (2022). Rad na predstavi Bijeli klaun : "Bijeli klaun" (Master's thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:003323

Knez, Tončica. "Rad na predstavi Bijeli klaun : "Bijeli klaun"." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2022. https://urn.nsk.hr/urn:nbn:hr:251:003323

Knez, Tončica. "Rad na predstavi Bijeli klaun : "Bijeli klaun"." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2022. https://urn.nsk.hr/urn:nbn:hr:251:003323

Knez, T. (2022). 'Rad na predstavi Bijeli klaun : "Bijeli klaun"', Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 05 April 2025, https://urn.nsk.hr/urn:nbn:hr:251:003323

Knez T. Rad na predstavi Bijeli klaun : "Bijeli klaun" [Master's thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2022 [cited 2025 April 05] Available at: https://urn.nsk.hr/urn:nbn:hr:251:003323

T. Knez, "Rad na predstavi Bijeli klaun : "Bijeli klaun"", Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:251:003323

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Metadata
TitleRad na predstavi Bijeli klaun : "Bijeli klaun"
Title (english)Work on the play: "White Clown"
AuthorTončica Knez
MentorTamara Kučinović (mentor)
Committee memberHrvoje Seršić (predsjednik povjerenstva)
Committee memberTamara Kučinović (član povjerenstva)
Committee memberJasmin Novljaković (član povjerenstva)
GranterJosip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek
Osijek
Defense date and country2022-09-27, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Theater Arts (Performing and Media Arts)
Abstract
Bijeli klaun prvi se put pojavljuje u komediji dell'arte u 16. stoljeću te se javlja kao lik Pierrota. Pierrot sa sobom nosi osjećaj tuge i naivnost te razočaranosti u ljubav. U 19. stoljeću Jean-Louis Barrault postupno je metamorfozirao Pierrota u omekšanu i sentimentalnu osobnost iako ga je i dalje prikazivao kao tradicionalnog klauna zaljubljenog u ljubav. Pierrot je ranije bio odjeven u preširoku odjeću s komično dugim rukavima, velikim ovratnikom i šeširom širokog oboda. Ideja Pierrota kao... More bijelog i emotivnog klauna inspiracija je mnogim umjetnicima, pa tako i Damiru Milošu. Rad na predstavi Bijeli klaun bio je iznimno emotivan, poučan i poseban proces upravo zato što je bio moje prvo ostvarenje u profesionalnom kazalištu kao mlade lutkarske redateljice. Poput Bijelog klauna, i ja sam u tom procesu tražila svoje boje i upoznavala boje svojih kolega i suradnika. Svačiju drugačijost iskoristili smo na najljepši način, dajući posebnu nijansu ovoj predstavi. „Najveći trenutci kazališne aktivnosti događaju se kada se nijedan od sastavnih elemenata drama, glumci, redatelji, scenski efekti, zgrada, ne nadmeću oko prvenstva, ili kada su natjerali jedni druge u ravnotežu.”13. Upravo kako kaže Ronald Harwood, pokušali smo naći taj balans, tu ravnotežu i obojati predstavu našim bojama i našim drugačijostima. Less
Abstract (english)
The first appearance of the White Clown has its origin in the commedia dell'arte in the 16th century and he appears as the character Pierrot. Pierrot carries with him a sense of sadness and naivety, and disappointment in love. In the 19th century, Jean-Louis Barrault, a French mime gradually metamorphosed Pierrot into a softened and sentimental personality although he still portrayed him as a traditional clown in love. Pierrot was previously dressed in baggy clothes with comically long... More sleeves, a large collar, and a wide-brimmed hat. The idea of Pierrot as a white and emotional clown is an inspiration to many artists, including Damir Miloš. Working on the play „The white clown” was an extremely emotional, instructive and special process precisely because it was my first achievement in a professional theater as a young puppeteer director. Like the White Clown, I was looking for my colors in the process, as well as getting to know the colors of my colleagues and associates. We used everyone's differences in the most beautiful way, giving a special nuance in this play. „The greatest moments of theatrical activity occur when none of the constituent elements of the drama, actors, directors, stage effects, buildings, compete for primacy, or when they have forced each other into balance.” Exactly as Ronald Harwood says, we tried to find that balance, that balance and paint the show with our colors and our differences. Less
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:251:003323
Study programmeTitle: MA in Puppetry Directing (single major)
Study programme type: university
Study level: graduate
Academic / professional title: Magistar lutkarske režije (Magistar lutkarske režije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2022-10-04 15:35:18
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