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master's thesis
Analiza sadržaja i semiotička analiza u filmovima rubena östlunda: „kvadrat” (the square) i „trokut tuge” (triangle of sadness)
2024. urn:nbn:hr:251:746377
Guganović, Ivana
Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

Cite this document

Guganović, I. (2024). Analiza sadržaja i semiotička analiza u filmovima rubena östlunda: „kvadrat” (the square) i „trokut tuge” (triangle of sadness) (Master's thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:746377

Guganović, Ivana. "Analiza sadržaja i semiotička analiza u filmovima rubena östlunda: „kvadrat” (the square) i „trokut tuge” (triangle of sadness)." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2024. https://urn.nsk.hr/urn:nbn:hr:251:746377

Guganović, Ivana. "Analiza sadržaja i semiotička analiza u filmovima rubena östlunda: „kvadrat” (the square) i „trokut tuge” (triangle of sadness)." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2024. https://urn.nsk.hr/urn:nbn:hr:251:746377

Guganović, I. (2024). 'Analiza sadržaja i semiotička analiza u filmovima rubena östlunda: „kvadrat” (the square) i „trokut tuge” (triangle of sadness)', Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 27 November 2024, https://urn.nsk.hr/urn:nbn:hr:251:746377

Guganović I. Analiza sadržaja i semiotička analiza u filmovima rubena östlunda: „kvadrat” (the square) i „trokut tuge” (triangle of sadness) [Master's thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2024 [cited 2024 November 27] Available at: https://urn.nsk.hr/urn:nbn:hr:251:746377

I. Guganović, "Analiza sadržaja i semiotička analiza u filmovima rubena östlunda: „kvadrat” (the square) i „trokut tuge” (triangle of sadness)", Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2024. Available at: https://urn.nsk.hr/urn:nbn:hr:251:746377

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Metadata
TitleAnaliza sadržaja i semiotička analiza u filmovima rubena östlunda: „kvadrat” (the square) i „trokut tuge” (triangle of sadness)
AuthorIvana Guganović
MentorBorko Baraban (mentor)
MentorSnježana Barić-Šelmić (sumentor)
GranterJosip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek
Osijek
Defense date and country2024-10-31, Croatia
Scientific / art field,
discipline and subdiscipline		INTERDISCIPLINARY FIELDS OF ART
Abstract
Ovaj rad posvećen je analizi suvremenog skandinavskog filma, s posebnim osvrtom na filmsko stvaralaštvo Rubena Östlunda, jednog od najistaknutijih redatelja tog područja. Skandinavska je kinematografija tijekom posljednja dva desetljeća evoluirala pod utjecajem pokreta poput Dogme 95, ali i zbog osnivanja i jačanja kreativnih saveza koji su redefinirali filmsku estetiku, etiku i produkcijske uvjete rada, učinivši skandinavski film globalno prepoznatljivim. U okviru tog razvoja, Östlund se profilirao kao redatelj koji filmski obrađuje teme koje reflektiraju suvremene društvene izazove. Uz pregled filmografije i interpretaciju značaja u kontekstu suvremenog skandinavskog filma, ovaj se rad primarno bavi analizom sadržaja i semiotičkom analizom Östlundovih filmova „Kvadrat” (The Square, 2017.) i „Trokut tuge” (Triangle of Sadness, 2022.). Analiza se oslanja na ključne semiotičke teorije Ferdinanda de Saussurea, Charlesa S. Peircea i Rolanda Barthesa.
Abstract (english)
This thesis employs a critical, semiotic, and content-based analytical approach to contemporary Scandinavian cinema, focusing on the cinematography of Ruben Östlund, one of the region's most prominent filmmakers. Over the last two decades, Scandinavian cinema has taken a new turn, driven by movements such as Dogme 95, but also as a consequence of creative alliances which have emerged and gained momentum, redefining the art of film aesthetics and cinematic expression, filmmaking ethics, and working conditions in film production. These developments have returned Scandinavian film to global prominence. Within this context, Östlund has carved a niche for himself as a director who takes a particular interest in recording and dissecting modern social phenomena and challenges on the silver screen. In addition to providing an overview of his body of work and commenting on its significance within contemporary Scandinavian film, this thesis primarily deals with the content analysis and semiotic analysis of two of Östlund's films: The Square (2017) and Triangle of Sadness (2022). The analysis draws on seminal semiotic theories from scholars including Ferdinand de Saussure, Charles S. Peirce, and Roland Barthes.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:251:746377
Study programmeTitle: MA in Media and Public Relations (double major)
Study programme type: university
Study level: graduate
Academic / professional title: sveučilišni/a magistar/magistra medija i odnosa s javnošću (sveučilišni/a magistar/magistra medija i odnosa s javnošću)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2024-11-26 13:27:07