The graduate thesis titled "Impossibility and Memory" is a monumental sculpture performed as a tombstone, consisting of a wooden model and a conceptual solution in marble. The model consists of seven wooden black and white panels, while the conceptual design would include an enlarged model of seven marble black and white panels. The artwork presents an idea of transforming the object from non-artistic to an artistic context, but also the author's own transformation through the process of making artwork, from the beginning of the idea to the last stage of realization. The main elements of the work are also parts of the structure of the concept consisting of stages of transformation, starting with terms such as death and cemetery, tombstone and monument sculpture, and finally transformation. The name of the work itself is subordinate to the idea that runs through the work as a vertical between the initial awareness of the inability to act, to the final aspiration aimed at memory as a statement of tribute and thanks. With this relationship, the work acquires a vertical dimension that is prolonged throughout life, and lasts behind death. The monumental sculpture, in the form of a tombstone, seeks to encourage reflection on transformation. Through the work "Impossibility and Memory", the author faces the same, through her own struggle and fear and through the process of making work from idea to final performance. The artwork points to the flexibility and expansibility of the concept of transformation in order to encourage observers to think about it, in the context of the idea of work and beyond. With her master's thesis, the author opens the space for reflection on transformation, the tombstone and finally whether it can be turned into a work of art.