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undergraduate thesis
Elementi nerealnosti u filmovima Wesa Andersona
2018. urn:nbn:hr:251:163064
Zakšek, Andrea
Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

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Zakšek, A. (2018). Elementi nerealnosti u filmovima Wesa Andersona (Undergraduate thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:163064

Zakšek, Andrea. "Elementi nerealnosti u filmovima Wesa Andersona." Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2018. https://urn.nsk.hr/urn:nbn:hr:251:163064

Zakšek, Andrea. "Elementi nerealnosti u filmovima Wesa Andersona." Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2018. https://urn.nsk.hr/urn:nbn:hr:251:163064

Zakšek, A. (2018). 'Elementi nerealnosti u filmovima Wesa Andersona', Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 30 November 2024, https://urn.nsk.hr/urn:nbn:hr:251:163064

Zakšek A. Elementi nerealnosti u filmovima Wesa Andersona [Undergraduate thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2018 [cited 2024 November 30] Available at: https://urn.nsk.hr/urn:nbn:hr:251:163064

A. Zakšek, "Elementi nerealnosti u filmovima Wesa Andersona", Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:251:163064

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Metadata
TitleElementi nerealnosti u filmovima Wesa Andersona
AuthorAndrea Zakšek
MentorVladimir Rismondo (mentor)
GranterJosip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek
Osijek
Defense date and country2018, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Art Sciences
Abstract
Svi filmski redatelji sanjaju o tome da postanu kultna imena u filmskoj industriji. Danas ih je sve više, a rijetko koji ostaje doista vrijedan spomena. Prezasićenost mladih redatelja i lakoća s kojom se danas mogu snimiti i objaviti filmovi rezultirala je ogromnim brojem nekvalitetnih filmova koji padaju u zaborav mjesec dana nakon pojavljivanja na filmskom platnu. U ovom radu bavit ću se redateljem koji je dokazao da je napor da se izgradi individualni i prepoznatljiv autorski stil doista vrijedan truda. Wes Anderson drugačiji je po tome što veliku pažnju posvećuje onim elementima koje prve zapažamo prilikom gledanja filma. Stvorio je vlastitu estetiku utemeljenu na elementima nerealnosti kojima se služi kako bi svakom svom filmu dao dozu fantastike. Njegovi su filmovi prije svega njegove kuće za lutke, prostor u kojima stvara fantastične svjetove i u kojima glavnu ulogu igraju simetrija, nevjerojatno skladne palete boja, hladni i intelektualni likovi, česti monolozi te nejasna veza između ironije i komedije. U nastavku rada slijedi detaljna analiza svih tih elemenata utemeljena na primjerima iz njegovih dosad devet snimljenih filmova.
Abstract (english)
All film directors dream about becoming cult names in the film industry. Today there are more and more of them, and they rarely stay worth mentioning. An over-satiation of young directors and an easiness of making movies today resulted in a great number of low quality films which become forgotten a month after appearing on movie screens. In this work I will write about a director who managed to prove that the effort taken to build a unique and recognizable autheur style really is worth it. Wes Anderson is different because he gives great attention to the elements which we first notice while watching a movie. He created his own aesthetics based on elements of unreality which he uses to put a dose of fantasy in his every film. His movies are, first and foremost, his dollhouses, spaces in which he creates fantastic worlds, where symmetry, unbelievably consistent color palettes, cold and intellectual characters, monologues and blurred line between irony and comedy, play a main role. In continuation follows a detalied analisys of all those elements based on examples from all nine Anderson's films.
Keywords
Languagecroatian
URN:NBNurn:nbn:hr:251:163064
Study programmeTitle: University undergraduate interdisciplinary study program in cultural studies; specializations in: Cultural Management, Media Culture, Librarian Science
Course: Media Culture
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/ prvo- stupnica (baccalaureus/ baccalaurea) kulturologije uz naznaku smjera (sveučilišni/a prvostupnik/ prvo- stupnica (baccalaureus/ baccalaurea) kulturologije uz naznaku smjera)
Type of resourceText
File originBorn digital
Access conditionsOpen access
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Created on2020-02-12 11:28:35