This final thesis represents a five-year experience of studying art, focusing on key aspects such as the development of visual language, free expression, and exploration of new methods. It highlights the significance of painting within limited time frames and the dynamic changes in composition. The utilization of large formats and an experimental approach to tools and materials emerges as essential in the artistic process. Notably, painting on the floor symbolizes primordial creation, while painting on the wall represents the realm of human existence. The process encompasses serial painting and the utilization of materials typically deemed as "waste." Through gradual reduction of waste, a sense of balance and cleanliness is attained within the working environment. The artistic endeavor is depicted through images leaning against the wall, accompanied by a smaller painting resting on a reclined wardrobe. Anselm Kiefer's work and this final project share common elements such as material experimentation, exploration of the boundaries between art and life, connection with the environment, and contemplation of the relationship between the body, mind, and art. These shared characteristics make the connection between Kiefer and the artwork "Body of the Image" particularly significant, as they encourage exploration, understanding, and appreciation of the intricate and diverse artistic process. The inspiration to integrate physical labor and the body into the act of painting is drawn from the works of artist Matthew Barney. By incorporating fasting as a meaningful component of the artistic process, a new dimension and equilibrium are achieved within the workspace, eliminating extraneous elements. The resulting art installation stands out with its layered textures, establishing a profound connection between the artist's corporeal presence and the act of artistic creation.