| Abstract | Diplomski rad “Redukcija konstrukcije” prikazuje vježbu izgrađivanja novih misaonih prostora usred stvari te prebacivanje toga na papir. Eksperimentiranjem s onim što bi se moglo dogoditi u stvarnosti, a događa se u imaginaciji, dolazimo do otkrića da arhitektura oslobađanjem ukrasa prelazi u nešto sasvim drugačije. Nalazeći se unutar prostora, crtež postaje njegov proizvod. Rad postaje intuitivna reakcija koja nastaje između umjetnice i prostora, pri čemu je jezik tek nacrtna geometrija arhitektonske skice. Zapravo je riječ o posebnoj, nepravilnoj konstrukciji koju tvori mnoštvo zatečenih okolnosti u prostoru, a čiji potencijal je mnogo veći od pukog zrcaljenja lijepog nutarnjeg sklada prirode. Zbog tog, prije nego poprimi prepoznatljiv oblik, rad ima slobodan i nedorečen nacrt pa se može reći kako nudi “osjete koji prethode oblicima i prikazima te da ga oni i tvore”. Rad svojim linijskim prikazima vodi do jednostavnosti i praznine te prikazuje bijeg iz svijeta iluzornih prikaza u svijet prevladanih aluzija. Baveći se pitanjem odnosa čovjeka i prostora, dolazi se do zaključka da je čovjek biće koje, zajedno sa svojim simbolima, stvara prostor kao dimenziju u kojoj će susresti potrebu stvaranja vlastitog svijeta na vlastiti način. Prostor kao takav postaje medij unifikacije svjetova unutar čovjeka, kao i medij onih virtualnih svjetova u kojima stečene linearne strukture teku do novih, virtualnih formi. Prikazuje se fragmentacija suvremenog čovjeka, izgubljenog u potrošačkim ne-mjestima bez identiteta i središta te se dočarava reduciranje života modernog čovjeka na progres nauštrb svrhe, u obliku kompeticije iz koje niču užurbanost i usamljenosti ali i vrste straha. |
| Abstract (english) | Master’s thesis “Reduction of construction” shows the exercise of building new thought spaces in the middle of things and transferring them to paper. By experimenting with what could happen, and what happens in the imagination, we arrive at the result that by releasing the decorations, architecture turns into something completely different. By putting oneself in the space, the drawing becomes a product of it. The work becomes an intuitive reaction that arises between the artist and the space, and the language is the blueprint geometry of the architectural sketch. In fact, it is a special, irregular construction that is formed by a multitude of circumstances found in space and it is capable of more than just mirroring the beautiful inner harmony of nature. Therefore, before it takes a recognizable form, the work has a free and sketchy outline, so I can say that it offers “feeling that precede forms and representations, and that they create it. With its linear representations, the work leads to simplicity and emptiness and shows an escape from the world of illusionistic representations into the world of overcome allusiveness. Dealing with the question of the relationship between man and space, one concludes that man himself is a being who, together with his symbols, establishes space as a dimension in which he will realize his need to establish his own world in his own way. Space as such becomes the medium of unification of worlds in man and the medium of virtual worlds in which the acquired linear structures flow into new, virtual forms. The fragmentation of modern man is shown, lost in consumer non-places without identity and center, and is evoked by the reduction of modern man's life to progress at the expense of purpose, in the manner of competition from which there is nothing bustle and loneliness, but also a kind of fear. |
