The sculpture cycle called “Fragments of form” is questioning relationships of perception, volume and proprioception, playing with viewer’s expectations, assumptions and beliefs. Abstract character of these geometrical shapes provides possibility of ambiguity, but dominant characteristic that all sculptures have in common is the impression that all of them are made at crossroads of sculpture and architecture. Beside forms themselves, contributing parts are the use of construction materials, exposure of construction and visible signs of building. The title “Fragments of form” was formed during the process of model making and choosing between many smaller prototypes which all seemed like broken parts of some larger wholeness, although they had individual integrity and visual logic. Larger sculptures appear like heavy concrete forms, but in reality they are light, hollow constructions made out of polystyrene blocks coated with facade adhesive. With their closed, monolithic shape they are giving an impression of monumentality. As their opposite but also as their complement, smaller sculptures are open, seemingly unfinished, bare and hollow forms of thin panels connected with wooden sticks only. They are embodying process of making, and with their fragility they suggest a return to the playfulness of the original models. The title of the work is associated with incompleteness and fragmentation, suggesting some imaginary, larger and defined wholeness which eludes our perception, remaining in the domain of abstract and elusive. This leaves room for the multitude of fragments yet to be found and shaped.