prikaz prve stranice dokumenta L. van Beethoven: Sonata br.22 u F-duru, op.54
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undergraduate thesis
L. van Beethoven: Sonata br.22 u F-duru, op.54
2023. urn:nbn:hr:251:374736
Matić, Vedrana
Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

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Matić, V. (2023). L. van Beethoven: Sonata br.22 u F-duru, op.54 (Undergraduate thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:374736

Matić, Vedrana. "L. van Beethoven: Sonata br.22 u F-duru, op.54." Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2023. https://urn.nsk.hr/urn:nbn:hr:251:374736

Matić, Vedrana. "L. van Beethoven: Sonata br.22 u F-duru, op.54." Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2023. https://urn.nsk.hr/urn:nbn:hr:251:374736

Matić, V. (2023). 'L. van Beethoven: Sonata br.22 u F-duru, op.54', Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 07 April 2025, https://urn.nsk.hr/urn:nbn:hr:251:374736

Matić V. L. van Beethoven: Sonata br.22 u F-duru, op.54 [Undergraduate thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2023 [cited 2025 April 07] Available at: https://urn.nsk.hr/urn:nbn:hr:251:374736

V. Matić, "L. van Beethoven: Sonata br.22 u F-duru, op.54", Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2023. Available at: https://urn.nsk.hr/urn:nbn:hr:251:374736

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Metadata
TitleL. van Beethoven: Sonata br.22 u F-duru, op.54
AuthorVedrana Matić
MentorKonstantin Krasnitsky (mentor)
MentorYulija Krasnitskaja (sumentor)
Committee memberGoran Filipec (predsjednik povjerenstva)
Committee memberAna Horvat (član povjerenstva)
GranterJosip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek
Osijek
Defense date and country2023-09-21, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Abstract
U ovom radu prikazana je analiza Beethovenove Klavirske sonate br. 22 u F-duru, op. 54. Rad je organiziran u dva dijela: prvi se dio bazira na kronološkom opisu života i stvaralaštva Ludwiga van Beethovena, a drugi je dio analiza Sonate br. 22 u F-duru, op. 54. Svrha je ovog rada uz formalnu, harmonijsku i interpretativnu analizu objasniti oblik i strukturu djela, predočiti smionost harmonija i kontraste tematskih materijala, navesti dinamičke i agogičke oznake i ukazati na primjenu naznačenih artikulacija. Sonata br. 22 u F-duru, op. 54 pisana je u srednjem razdoblju Beethovenova stvaralaštva te je, bezrazložno, jedna od manje izvođenih sonata. Njezina dva stavka, potpuno oprečna u svakom pogledu, poništavaju klasičnu strukturu sonatnog ciklusa. Prvi stavak, u obliku ronda, donosi nježnu i pjevnu melodiju koja dolazi u sukob s novom, snažnom i energičnom drugom temom dok drugi stavak predstavlja brzi finale s pregršt modulacija u sonatnom obliku. Bez obzira na smanjen obujam ove sonate, Beethoven uspijeva napraviti minijaturno remek-djelo.
Abstract (english)
This paper presents an analysis of Beethoven's Piano Sonata No. 22 in F major, Op. 54. The paper is organized in two parts: the first part is based on a chronological description of the life and work of Ludwig van Beethoven, and the second part is an analysis of Sonata No. 22 in F major, op. 54. The purpose of this paper is to explain the form and structure of the work through formal, harmonic and interpretive analysis, to present the boldness of harmonies and contrasts of thematic materials, to indicate dynamic and agogical markings and to indicate the application of the indicated articulations. Sonata No. 22 in F major, op. 54 was written in the middle period of Beethoven's creative work and is, without reason, one of the least performed sonatas. Its two movements, completely opposite in every way, cancel the classical structure of the sonata cycle. The first movement, in the form of a rondo, brings a gentle and singing melody that comes into conflict 2 with the new, strong and energetic second theme, while the second movement presents a fast finale with a handful of modulations in sonata form. Regardless of the reduced volume of this sonata, Beethoven manages to create a miniature masterpiece.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:251:374736
Study programmeTitle: Undergraduate study of Piano
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (bacccalaureus/baccalaurea) muzike (sveučilišni/a prvostupnik/prvostupnica (bacccalaureus/baccalaurea) muzike)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2025-03-13 16:32:55