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master's thesis
Dodekafonija u skladateljskom opusu Borisa Papandopula
2024. urn:nbn:hr:251:480728
Rojko, Lara
Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

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Rojko, L. (2024). Dodekafonija u skladateljskom opusu Borisa Papandopula (Master's thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:480728

Rojko, Lara. "Dodekafonija u skladateljskom opusu Borisa Papandopula." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2024. https://urn.nsk.hr/urn:nbn:hr:251:480728

Rojko, Lara. "Dodekafonija u skladateljskom opusu Borisa Papandopula." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2024. https://urn.nsk.hr/urn:nbn:hr:251:480728

Rojko, L. (2024). 'Dodekafonija u skladateljskom opusu Borisa Papandopula', Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 09 December 2024, https://urn.nsk.hr/urn:nbn:hr:251:480728

Rojko L. Dodekafonija u skladateljskom opusu Borisa Papandopula [Master's thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2024 [cited 2024 December 09] Available at: https://urn.nsk.hr/urn:nbn:hr:251:480728

L. Rojko, "Dodekafonija u skladateljskom opusu Borisa Papandopula", Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2024. Available at: https://urn.nsk.hr/urn:nbn:hr:251:480728

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Metadata
TitleDodekafonija u skladateljskom opusu Borisa Papandopula
Title (english)Twelwe-tone Technique in the Compositional Work of Boris Papandopulo
AuthorLara Rojko
MentorZdravko Drenjančević (mentor)
Committee memberTihana Škojo (predsjednik povjerenstva)
Committee memberZdravko Drenjančević (član povjerenstva)
Committee memberMarko Sesar (član povjerenstva)
GranterJosip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek
Osijek
Defense date and country2024-09-26, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Music Education
Abstract
Boris Papandopulo jedan je od najznačajnijih i najplodonosnijih hrvatskih skladatelja. Dio njegovog uistinu značajnog opusa čine skladbe u kojima se skladatelj koristi dvanaesttonskom tehnikom skladanja. Navedene skladbe obrađivat će se u ovom diplomskom radu koji nosi naslov Dodekafonija u skladateljskom opusu Borisa Papandopula. Uvodni dio rada dotiče se duha umjetničke glazbe prve polovice 20. stoljeća u Europi i u Hrvatskoj te obilježavajućih glazbenih stilova, glazbenog ekspresionizma i neoklasicizma. Iduće poglavlje pojašnjava dodekafoniju kao skladateljsku tehniku nakon kojeg slijedi biografija i skladateljski opus Borisa Papandopula. Zatim je u tabličnom prikazu naznačen popis skladbi s primjenom dodekafonske tehnike navedenog skladatelja. U nastavku rada opisano je oblikovanje dvanaesttonskog niza te raspored serija u jednoj melodijskoj liniji i u višeglasju. U završnom poglavlju nalazi se zaključno promišljanje te popis korištene literature pri izradi.
Abstract (english)
Boris Papandopulo is one of the most prominent and prolific Croatian composers. One of the most vital parts of his monumental opus are his compositions in which he applies the dodecaphonic compositional technique. The aforementioned compositions will be examined through this paper which is titled Twelve-tone technique in Boris Papandopulo’s compositional opus. The introductory part of the paper explores the notion of art music in the first half of the 20th century in Europe as well as in Croatia with its specific styles in music – Expressionism and Neoclassicism. The following chapter details the twelve-tone technique as a method of musical composition which is further followed by a brief biography and compositional opus of Boris Papandopulo. Furthermore, a complete list of Papandopulo’s composition, which includes the twelve-tone technique, is presented in table-form. The paper resumes with a description of how the twelve-tone row is formed and the order it appears in concerning single melodic lines and multiple melodic lines (polyphony). To conclude, this paper brings forward some final thoughts as well as the list of literature used in the making of this paper.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:251:480728
Study programmeTitle: Graduate study of Music Education
Study programme type: university
Study level: graduate
Academic / professional title: sveučilišni/a magistar/magistra glazbene pedagogije (sveučilišni/a magistar/magistra glazbene pedagogije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2024-12-09 11:16:29