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undergraduate thesis
Formalna i harmonijska analiza stavaka Kyrie i Lacrimosa iz Requiema W.A. Mozarta
2023. urn:nbn:hr:251:625335
Rojko, Lara
Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

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Rojko, L. (2023). Formalna i harmonijska analiza stavaka Kyrie i Lacrimosa iz Requiema W.A. Mozarta (Undergraduate thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:625335

Rojko, Lara. "Formalna i harmonijska analiza stavaka Kyrie i Lacrimosa iz Requiema W.A. Mozarta." Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2023. https://urn.nsk.hr/urn:nbn:hr:251:625335

Rojko, Lara. "Formalna i harmonijska analiza stavaka Kyrie i Lacrimosa iz Requiema W.A. Mozarta." Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2023. https://urn.nsk.hr/urn:nbn:hr:251:625335

Rojko, L. (2023). 'Formalna i harmonijska analiza stavaka Kyrie i Lacrimosa iz Requiema W.A. Mozarta', Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 26 December 2024, https://urn.nsk.hr/urn:nbn:hr:251:625335

Rojko L. Formalna i harmonijska analiza stavaka Kyrie i Lacrimosa iz Requiema W.A. Mozarta [Undergraduate thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2023 [cited 2024 December 26] Available at: https://urn.nsk.hr/urn:nbn:hr:251:625335

L. Rojko, "Formalna i harmonijska analiza stavaka Kyrie i Lacrimosa iz Requiema W.A. Mozarta", Undergraduate thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2023. Available at: https://urn.nsk.hr/urn:nbn:hr:251:625335

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Metadata
TitleFormalna i harmonijska analiza stavaka Kyrie i Lacrimosa iz Requiema W.A. Mozarta
Title (english)Formal and Harmonic Analysis of the Sections Kyrie and Lacrimosa from Mozart's Requiem
AuthorLara Rojko
MentorTihana Škojo (mentor)
MentorZdravko Drenjančević (sumentor)
Committee memberTihana Škojo (predsjednik povjerenstva)
Committee memberZdravko Drenjančević (član povjerenstva)
Committee memberMarko Sesar (član povjerenstva)
Committee memberVuk Ognjenović (član povjerenstva)
GranterJosip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek
Osijek
Defense date and country2023-09-25, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Music Education
Abstract
Requiem KV 626, posljednje je djelo najistaknutijeg skladatelja klasicizma, Wolfganga Amadeusa Mozarta. Skladbu čini sedam dijelova od kojih je Mozart uspio dovršiti Introitus i Kyrie međutim umro je za skladanja Lacrimose. Ovaj završni rad proučava formalnu i harmonijsku strukturu stavaka Kyrie i Lacrimosa, Requiema, KV 626. Uvodni dio rada donosi presjek epohe klasicizma u glazbi s naglaskom na razdoblje „bečke klasike“ kojoj pripada Wolfgang Amadeus Mozart, najveći skladatelj spomenutog doba. Nastavak rada definira requiem kao glazbeni oblik, nakon čega slijedi predstavljanje Mozartovog Requiema KV 626. Centralni dio rada donosi formalnu i harmonijsku analizu stavaka Kyrie i Lacrimosa Mozartova Requiema. Kod formalne analize određuje se glazbeni oblik stavka dok se kod harmonijske analizira tonalitetni plan te struktura akorda korištenih u partituri. Na kraju rada nalaze se zaključna razmatranja o proučavanoj temi te popis korištene literature.
Abstract (english)
Requiem KV 626 is the last piece of the Classical era's most prominent composer Wolfgang Amadeus Mozart. The composition includes seven parts out of which Mozart finished the Introitus and Kyrie, however he passed away while composing the Lacrimose. This paper examines the formal and harmonical structure of the Kyrie and Lacrimosa movements of Requiem KV 626. The introductory part of the paper explores the main characteristiscs of the Classical period in music especially regarding the Viennese classicism whose notable representative is Wolfgang Amadeus Mozart, the greatest composer of the aformentioned period. Furthermore, the paper defines requiem as a musical form which is followed by the examination of Mozart's Requiem KV 626. The focal part of the paper brings forward the formal and harmonical analysis of the Kyrie and Lacrimosa movements of Mozart's Requiem. The formal analysis determines the musical form of the movement, while the harmonical analysis examines the tonal plan and the structure of chords used in the score. The paper concludes with final considerations on the studied topic and the the list of used literature.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:251:625335
Study programmeTitle: Undergraduate study of Music Education
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) glazbene pedagogije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) glazbene pedagogije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
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Created on2023-11-07 15:18:54