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master's thesis
Glazba kao sektor kreativne industrije
2023. urn:nbn:hr:251:295882
Selci, Davor
Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

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Selci, D. (2023). Glazba kao sektor kreativne industrije (Master's thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:295882

Selci, Davor. "Glazba kao sektor kreativne industrije." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2023. https://urn.nsk.hr/urn:nbn:hr:251:295882

Selci, Davor. "Glazba kao sektor kreativne industrije." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2023. https://urn.nsk.hr/urn:nbn:hr:251:295882

Selci, D. (2023). 'Glazba kao sektor kreativne industrije', Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 08 May 2024, https://urn.nsk.hr/urn:nbn:hr:251:295882

Selci D. Glazba kao sektor kreativne industrije [Master's thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2023 [cited 2024 May 08] Available at: https://urn.nsk.hr/urn:nbn:hr:251:295882

D. Selci, "Glazba kao sektor kreativne industrije", Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2023. Available at: https://urn.nsk.hr/urn:nbn:hr:251:295882

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Metadata
TitleGlazba kao sektor kreativne industrije
Title (english)Music as sector of creative industry
AuthorDavor Selci
MentorDamir Šebo (mentor)
MentorIgor Mavrin (komentor)
Committee memberDamir Šebo (predsjednik povjerenstva)
Committee memberIva Buljubašić (član povjerenstva)
Committee memberMarija Tolušić (član povjerenstva)
Committee memberIgor Mavrin (član povjerenstva)
GranterJosip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek
Osijek
Defense date and country2023-06-29, Croatia
Scientific / art field,
discipline and subdiscipline		SOCIAL SCIENCES
Interdisciplinary Social Sciences
Abstract
Glazba je gotovo stalan dio svakodnevnog života; svira u pozadini dok vozite, kupujete ili gledate televiziju. No koliko zapravo znamo o glazbi koja nas okružuje, kako je stvorena, kako prerasta s ideje u proizvod ili različitim ljudima koji to omogućuju. Glazbena industrija opći je izraz za sve strane uključene u stvaranje, izvedbu, snimanje, promicanje i upravljanje glazbenim poslovanjem. Razlikovanje nazivanja te mreže poslovnih partnerstava „glazbenom industrijom“ u odnosu na „glazbeni posao“ više se temelji na stigmi povezanoj s potonjim pojmom nego na bilo kojoj tehničkoj razlici. U jednom trenutku, kada se učestalo koristio termin „glazbeni biznis“, umjetnici su često doživljavali iskorištavanje od onih koji su od njihova rada ostvarili ogromnu zaradu. Danas postoje brojne organizacije koje štite prava glazbenika, skladatelja i izvođača. U radu će se opisati općenito pojam glazbene industrije i njezine značajke. U radu je također korišteno empirijsko istraživanje koje se temelji na anketiranju 44 ispitanika. Rezultati ukazuju na stavove ispitanika vezano za glazbu i glazbena događanja tijekom pandemije bolesti COVID-19. Obavljeni su intervjui s pet glazbenika koji su nam dali uvid u svoju glazbenu karijeru tijekom pandemije bolesti COVID-19.
Abstract (english)
Music is an almost constant part of daily life; it plays in the background while you drive, shop, or watch TV. But how much do we know about the music that surrounds us, how it is created, how it goes from an idea to a product, or the various people who make it possible. The music industry is a general term for all parties involved in the creation, performance, recording, promotion, and management of the music business. The distinction in the names of these networks of business partnerships from “music industry” to “music business” is based more on the stigma associated with the latter term than on any technical difference. In the past, when the term “music business” was commonly used, artists were often exploited by those who made large profits from their work. Today, there are numerous organizations that protect the rights of musicians, composers, and performers. This paper describes the general concept of the music industry and its characteristics. It also presents empirical research based on a survey of 44 respondents. The results show the respondents’ attitudes toward music and music events during the COVID-19 pandemic. Interviews were also conducted with 5 musicians who provided insight into their music careers during COVID -19.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:251:295882
Study programmeTitle: University graduate interdisciplinary study program in cultural studies; specializations in: Cultural Management, Media Culture, Librarian Science
Course: Cultural Management
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra kulturologije uz naznaku smjera (magistar/magistra kulturologije uz naznaku smjera)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2023-09-05 08:10:12