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master's thesis
Rad na ulozi Molly Sweeney karakterizacija dramskog lika
integracija pokreta i govora (tijela i uma)
2022. urn:nbn:hr:251:742154
Mišić Losacco, Violeta
Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

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Mišić Losacco, V. (2022). Rad na ulozi Molly Sweeney karakterizacija dramskog lika : integracija pokreta i govora (tijela i uma) (Master's thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:742154

Mišić Losacco, Violeta. "Rad na ulozi Molly Sweeney karakterizacija dramskog lika : integracija pokreta i govora (tijela i uma)." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2022. https://urn.nsk.hr/urn:nbn:hr:251:742154

Mišić Losacco, Violeta. "Rad na ulozi Molly Sweeney karakterizacija dramskog lika : integracija pokreta i govora (tijela i uma)." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2022. https://urn.nsk.hr/urn:nbn:hr:251:742154

Mišić Losacco, V. (2022). 'Rad na ulozi Molly Sweeney karakterizacija dramskog lika : integracija pokreta i govora (tijela i uma)', Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 26 December 2024, https://urn.nsk.hr/urn:nbn:hr:251:742154

Mišić Losacco V. Rad na ulozi Molly Sweeney karakterizacija dramskog lika : integracija pokreta i govora (tijela i uma) [Master's thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2022 [cited 2024 December 26] Available at: https://urn.nsk.hr/urn:nbn:hr:251:742154

V. Mišić Losacco, "Rad na ulozi Molly Sweeney karakterizacija dramskog lika : integracija pokreta i govora (tijela i uma)", Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:251:742154

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Metadata
TitleRad na ulozi Molly Sweeney karakterizacija dramskog lika : integracija pokreta i govora (tijela i uma)
Title (english)Work on the role of Molly Sweeney characterization of a dramatic character: integration of movement and speech (body and mind)
AuthorVioleta Mišić Losacco
MentorVlasta Ramljak (mentor)
MentorSanela Janković Marušić (sumentor)
Committee memberMaja Đurinović (predsjednik povjerenstva)
Committee memberVlasta Ramljak (član povjerenstva)
Committee memberSanela Marušić Janković (član povjerenstva)
Committee memberJasmin Novljaković (član povjerenstva)
GranterJosip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek
Osijek
Defense date and country2022-09-30, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Theater Arts (Performing and Media Arts)
Abstract
Predmet ovog diplomskog rada integracija je scenskog pokreta i govora (tijela i uma) u kontekstu karakterizacije dramskog lika s ciljem pronalaženja osobnog scenskog izražaja. Istraživanje se provodi u nekoliko faza i temelji na Labanovoj analizi pokreta, esencijalnom pokretu, suvremenom plesu te tradicionalnom pristupu rada na dramskom tekstu i tehnikama glume, a oslanja se na teorije i prakse kazališne umjetnosti 20. stoljeća, kazališnih redatelja i teoretičara kao što su Antonin Artaud, Etienne Decroux i Jerzi Grotowski, koji su pomicali granice tradicionalnog zapadnog kazališta i tražili odgovore na Istoku. Integraciju i svjesnost tijela i uma moguće je postići tjelesnom i umnom disciplinom koristeći određene tehnike, vještine i metode. U kontekstu govora i pokreta, obje umjetnosti moraju biti „siromašne“, s tim da se jedna umjetnost treba povući da bi druga došla do izražaja i obje bile skladne (Decroux 1963: 32)1.
Abstract (english)
The subject of this thesis is the integration of stage movement and speech (body and mind) in the context of the characterization of a dramatic character in order to find personal stage expression. The research is carried out in several phases and is based on Laban's movement analysis, essence of movement, contemporary dance, and the traditional approach of working on a dramatic text and acting techniques, it refers to the theories and practices of the 20th century theater directors and theoreticians such as Antonin Artaud, Etienne Decroux and Jerzy Grotowski, who pushed the boundaries of traditional Western theater and sought answers in the East. In conclusion, integration and awareness of body and mind can be achieved through physical and mental disciplines using certain techniques, skills, and methods. In the context of speech and movement, both arts must be 'poor', with one art needing to be withdrawn for the other to come to the fore and both to be harmonious (Decroux, 1963:32). 1
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:251:742154
Study programmeTitle: MA in Non-verbal Theatre (single major)
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra neverbalnog teatra (magistar/magistra neverbalnog teatra)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2022-10-12 06:48:48